GOFFSTOWN, NEW HAMPSHIRE · 2 NOVEMBER 1973

She thought it was a planet.
Then it came closer.

Lyndia Morel said a bright light followed her home through the pre-dawn darkness, changing from a distant star-like object into a glowing honeycomb globe with an oval window — and a figure looking back.

SOLE CLOSE-RANGE WITNESS · VEHICLE ENCOUNTER · HUMANOID REPORT · POLICE RESPONSE · APRO FIELD INVESTIGATION

APRO artist reconstruction of the Lyndia Morel encounter
Brian James · APRO staff artist · reconstruction prepared with investigator Walter Webb and the witness · not a photograph of the event. Hermes must confirm reuse rights or replace with a rights-cleared scan.
~2:45 A.M.Morel left work in Manchester.
1964 CORVAIRNo reported engine, lights or radio failure.
<500 FT CLAIMEDClosest-range estimate remained witness-derived.
4:40 A.M.Patrolman Daniel Jubinville arrived.

THE REAL CASE

A close encounter with a built-in evidential split.

The famous version of the Lyndia Morel story is pure high-strangeness: a glowing globe shadows a car, a woman feels physically controlled, an occupant appears behind an oval window, and she escapes into a stranger's house crying for help.

But the surviving APRO account contains something even more useful than the legend: its own investigator, Walter Webb, explicitly rejected the later four-person sighting as reliable corroboration because Mars was too close to the reported position.

The central evidential divide: Morel's close-range encounter stands mainly on her testimony. Her frightened condition was witnessed immediately afterward. The later shared light was seen by others — but Webb himself judged that phase ambiguous and nonsupportive.

THE NIGHT

From Manchester to Goffstown.

LEAVES WORKMorel signed out at 2:45 a.m., stopped for coffee with a co-worker, then bought gas before heading toward home.
PINARDVILLEShe noticed a large bright yellow light ahead-left, flashing red, green and blue. At first she thought it might be a planet.
DOWNTOWN GOFFSTOWNThe light repeatedly disappeared and reappeared. After the Route 114/13 turn, she said it appeared lower, larger and directly ahead.
WESTLAWN CEMETERYThe account escalated: a honeycomb globe, a high-pitched whine, loss of control, a memory gap, apparent acceleration and a figure visible through an oval window.

WHAT SHE DESCRIBED

The object was not a generic “light in the sky.”

FORM

Orange-gold globe

Morel described a globe covered in hexagonal or honeycomb-like patterning, with a paler oval opening in its upper-left area.

LIGHT

Changing colours

Red, green and blue flashes or beams appeared to change constantly around a brighter central source.

SOUND

High-pitched whine

She reported a steady thin whine and a tingling bodily sensation. The Beaudoins later remembered hearing no unusual sound.

VEHICLE

No electrical shutdown

Morel did not report engine, headlight or radio failure. That matters because later summaries sometimes turn the case into a standard “car disabled by UFO” story.

MEMORY

Nearly half a mile unclear

She reported being unaware of driving one stretch near the church and cemetery. The source records this as her subjective memory loss, not proof of missing time or abduction.

RANGE

Distance remained estimated

Webb checked landmarks and angular positions after the event, but the reported object's true range, height and physical size were never instrumentally measured.

Witness-based APRO reconstruction showing Lyndia Morel's car, globe-shaped object and occupant detail

WITNESS-BASED ARTWORK

The figure in the window.

Morel said that as the object closed near Westlawn Cemetery, she could make out the head, upper body and arms of a figure behind the oval opening.

She described a rounded greyish head, small shoulders, wrinkled or loose-looking facial skin, very large upward-angled egg-shaped eyes with dark pupils, a narrow downturned mouth and no obvious nose or ears.

The drawing is evidence of what Morel reported — not independent evidence that such a being physically existed.

Brian James, APRO staff artist, worked with Walter Webb and Morel on the reconstruction.

THE ESCAPE

Then the story enters another household.

Morel said the object became dazzling as she passed the cemetery. She turned sharply into the Beaudoin driveway, stopping partly on the lawn, left the Corvair running with its headlights on, and pounded on the house asking for help.

Mr. and Mrs. Beaudoin did not witness the close-range globe or occupant. What they did witness was Morel's condition immediately afterward. Mrs. Beaudoin described an obviously terrified woman who fell into her husband's arms and insisted she was neither drunk nor on drugs.

The kitchen clock read 4:30 a.m. Mrs. Beaudoin called Goffstown police.

THE CORROBORATION PROBLEM

Four people later saw a light. The investigator did not count it as support.

What happened next

After Jubinville arrived, Morel, the Beaudoins and the officer went outside. They observed a light that seemed to move slightly, change colours and apparently go out when illuminated with a flashlight.

This is often presented as the moment three additional witnesses “confirmed the UFO.”

What Webb concluded

Webb judged the multiwitness phase ambiguous and nonsupportive because the shared light matched both the distant appearance Morel had initially reported and the appearance/position of Mars.

That is a major internal skeptical control inside the original case investigation, not a later debunker pasted onto the story.

The strongest responsible wording is therefore: the Beaudoins and Jubinville independently confirmed Morel's distressed condition and later saw a bright light, but Webb did not regard that light as independent confirmation of her earlier close encounter.

ALTERNATIVES

Could the whole encounter have begun with Mars?

The APRO account itself notes that Morel initially thought the distant light might be a planet and that Mars was visible nearby. Webb later found the group sighting too close to Mars's position to treat as support.

That makes astronomical misidentification a serious explanation for at least the distant-light portions of the event.

It does not, by itself, explain Morel's later claims of a patterned globe, a nearby window and occupant, physical tingling, loss of control or apparent motion relative to the road. Those later elements depend almost entirely on her perception and memory.

The case therefore turns on a question that no surviving instrument record can settle: did a genuine external stimulus develop into a much closer anomalous encounter, or did fear, darkness, fixation on a bright celestial object and perception under stress transform the experience?

WHAT REMAINS

The best part of the case is that the original investigator left the uncertainty visible.

Lyndia Morel did not simply report seeing a distant light. She described an escalating encounter along a real route, reached another house in a state of obvious distress, triggered a police response within minutes, and later worked through the route with investigators in detail.

But the case has no independent witness to the close-range object or occupant. The only multiwitness visual phase is the very part Walter Webb refused to count as corroboration.

Morel's fear was witnessed. Her report was immediate. The close encounter was hers alone.

That is not a reason to throw the case away. It is the reason to read it correctly.

SOURCE ROOM

Follow the record.

APRO Bulletin · Vol. 12 No. 4 · Jan/Feb 1974CONDENSED WEBB/HILL INVESTIGATION · ROUTE · WITNESS INTERVIEWS · JUBINVILLE · MARS LIMIT · ARTWORK CUFOS · 1973 - Year of the HumanoidsLATER CONTEXTUAL CATALOGUE · VEHICLE/HUMANOID WAVE CONTEXT · NOT CONTROLLING OVER WEBB'S CASE REPORT
Walter N. Webb field investigationPRIMARY CIVILIAN INVESTIGATIVE SPINE · FULL ORIGINAL REPORT REMAINS A HIGH-VALUE RECOVERY TARGET
Betty Hill · APRO New Hampshire field investigatorINVESTIGATION SUPPORT · PRESERVE ROLE WITHOUT TURNING LATER ABDUCTION FAME INTO EVIDENCE FOR THIS CASE
Goffstown Police / Daniel Jubinville reportIMMEDIATE AFTERMATH · DISTRESS / SOBRIETY OBSERVATION · ORIGINAL POLICE DOCUMENT IS A RECOVERY TARGET
Brian James APRO artworkWITNESS-BASED RECONSTRUCTION · NOT EVENT PHOTOGRAPHY · RIGHTS/PROVENANCE CHECK REQUIRED FOR PRODUCTION USE